Sunday, March 11, 2018

Week Nine: Voice and The Auteur Theory

Poster for Persona by Ingmar Bergman
Sometimes we think of cultural workers as having a distinctive "voice" in their work. Themes, locations, subjects, motifs, style, lighting, viewpoints, word choices, topics, accent, are just some of the elements that can make up the unique voice of an individual artist. Filmmakers with distinctive voices are often called "auteurs."  This week you are to watch three movies by a particular director and to write a response discussing how the three works you chose exhibit common themes or other elements that are attributes assigned to the personality of the director as an author of the works. In other words, describe the author's voice in these films.

(Or, alternatively, you could argue they are not an auteur or that the term "auteur" should not be applied in the critical discussion of film.)

I am asking you to choose three films by any one director on the following list.


Francois Truffaut
Federico Fellini
Ingmar BergmanMichelangelo Antonioni
Robert AltmanAkira Kurosawa
Satyajit RayMaya Deren
Jane CampionStan Brakhage
Peter GreenawayAndrei Tarkovsky
Sally PotterMira Nair
Paul Thomas AndersonSofia Coppola
Jean-Luc GodardTom Tykwer
Krzysztof KieslowskiWes Anderson
Jacques TatiMike Leigh

Link that helps to explain an author's tone.

Link that helps to explain an author's voice.

Check the Course Resources Page for a few resources for this assignment.


1 comments:

Dr Ian McCormick said...

1. The auteur typically employs multiple perspectives on the same scene. This approach will enable the auteur to transform a short story into a film of epic proportions. The auteur characteristically demonstrates disregard for linear plotting. For the auteur Repetition is at the core of Deconstruction.

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